frasky

Manca anche Still dei Joy Division

Auguri

Quelli sono gli ultimi 100m, la vera corsa è prima

Dai almeno siamo tranquilli con le tempistiche

http://mobile.ilsole24ore.com/solemobile/main/art/impresa-e-territori/2017-05-11/concerti-live-nation-italia-acquisisce-indipendente-124353.shtml?uuid=AEjxBOKB&refresh_ce=1 Live Nation Italia acquisisce Indipendente Concerti

La canzone nuova

Confermo. Spediti ma ancora senza tracciatura. Probabilmente questa si attiverà il giorno che arriveranno le mail. Per Firenze ancora nulla

Ehilà, per le vendite di biglietti abbiamo una sezione del forum apposta

Per fortuna gli orari si incastrano bene - Palco Rizla Colombre 19:40-20:15 - Palco Dr. M Giorgio Poi 22:00-22:40 Baustelle 23:10-00:30

Io ci sono

1) The Butcher 2) Staircase 3) The Daily Mail 4) Supercollider

Mamma mia mi ricordo che la mia ragazza mi chiamò addirittura al telefono per dirmi di guardare instagram mentre stavo tornando a casa per pranzo ... quel video di Thom nel parcheggio era troppo. Anche io mi aspettavo proprio una Nose Grows Some ... ma il primo ascolto è stato comunque da sogno. Un momento religioso.

Ma dai arriva prima Dublino delle italiane Per caso ti ricordi quanto tempo prima era arrivata la mail della preparazione alla spedizione?

Fantastico! Non vedo l'ora di metterci su le mani ... potrebbe essere il prossimo vinile della mia magrissima collezione

Lo scrivo qua perché in un certo senso è l'antenato di OKNOTOK Qualcuno di voi ha questo? Limited edition boxset (1998). 6 x CD Singles housed in a custom designed plastic laptop sized presentation box. Only 500 copies. Includes: - OK Computer T-shirt. - Mousepad. - Alien Embossed AM Radio With Earphones. - Numbered Certificate. -Discs: Paranoid Android cd1 & cd2. No Surprises cd 1 & cd2. Karma Police cd1 & cd2. https://www.discogs.com/sell/item/134135310

I Sigur Rós lo stanno già facendo! norður og niður” means “go north and go down”, but translates more accurately as “everything’s going to hell”. for six days across christmas and new year the band will set up residence in reykjavik’s state-of-the-art venue, harpa, to fill the shortest days with the brightest array of music, art and performance from iceland and beyond. sigur rós in eldborg, december 27th – 30th the band will perform four concerts in eldborg, harpa’s main hall, on december 27, 28, 29 and 30. these will be the first shows by the band in iceland in five years, and their most intimate since the tiny regional shows on the heima tour more than a decade ago. with a capacity of only 1,500 per show, tickets for each sigur rós performance will be strictly limited to two per customer and released by proof of id. events in harpa, december 26th to 31st in addition to sigur rós live, norður og niður will host musical performances, art installations, dance pieces, film screenings, spoken word and impromptu happenings, many of them featuring the extended network of friends and collaborators that they have met and worked with throughout their twenty-plus year career.

As you can see, it’s climbing up the walls like a kind of geometric invasive weed. Except its not really very geometric as it’s all hand-drawn. As I mentioned earlier on (on the first day, I think) we used a technique from the Middle Ages to transfer the design to the white-painted walls, using chalk dust and pencils. Once all the pencil lines were drawn it was time to realise that the cupola is not a geometric shape as I had foolishly assumed whilst working on the 3D model back in London with ben_k, but instead is a creation composed of eight individually different panels. Anyway, as soon as we started painting with the black paint things started to be more enjoyable than clambering up and down five stages of scaffolding in a cloud of blue dust, because now we could see what was emerging. In one week we have painted from the floor to the very apex of the dome. And in a few more days we will have finished with the black paint and will move on to the white paint. Then back to black paint to tidy it up. And then the scaffolding will be removed and the audio part of the work will be installed. More on that in the future. The painting itself – the design of it, I mean – represents a sacred space, in the form of a ring of upturned trees. I will tell you some of the reasons why this happened. When I was a small boy there was a derelict cottage at a crossroads near where I lived. I found its ruinous and decaying nature very alluring and I investigated the cottage as often as I could. It was certainly older than most of the structures that stood nearby; a relic of a time before motor cars, tarmac, DIY stores and traffic lights. On the side of the cottage wall was a small weathered stone plaque with writing carved into it that said that the spot marked where the Peddars Way had crossed. The Peddars Way, I later found out, is (or was) a very strange and very straight track or path that crosses the part of England known as East Anglia. No-one knows where it starts, and it runs for hundreds of miles before going straight into the sea on the coastline of north Norfolk. It doesn’t connect towns, would have been of no use militarily, and couldn’t have been a trade route as it went, quite literally, nowhere. It is (or was) also reputed to be haunted by the Black Shuck, a terrible dog the size of a Great Dane that had one Cyclopean eye and meant certain death to anyone who caught sight of it. In 1998 the destination of the Peddars Way was uncovered. A storm surge stripped away layers of mud and peat from the coastline and revealed what’s become known as Sea Henge, a circular construction made of huge wooden poles surrounding an immense upturned tree. It had lain, preserved, under a thick layer of mud for thousands of years, and for thousands of years the Peddars Way had continued to point to it. Of course, I’ve no idea what would compel people to undertake a hazardous journey for hundreds of miles through what would have been dense woodland along an eerily straight path to reach this strange structure. But they did, and probably for much, much longer than our current civilisation has existed. So here in Maastricht, I’m painting my own version of a henge, or a grove. The trunks of the trees emerge from the octagonal window at the apex of the cupola, and surge down the curved dome walls, plotting out into branches and twigs that brush the floor. The trunks of the tree forms twist around the walls; the limbs of the trees have become formal annotations of actual branches – I’ve more-or-less obeyed natural laws of growth and structure, but with the aim of creating a moonlight shadow-cage. A monochrome haven in the noise and haste of 21st century Maastricht. Next to the river.

Devi entrare nella schermata per acquistare https://oknotok17-eu.wasteheadquarters.com/products/boxed-edition

https://www.instagram.com/p/BTq4quVgEme/

Nella mia ricerca per la tesina su Bowie sono arrivato ad Heroes e in una pagina sulla "cut-up" dadaista mi sono imbattuto in questo: Thom Yorke applied a similar method in Radiohead's Kid A (2000) album, writing single lines, putting them into a hat, and drawing them out at random while the band rehearsed the songs. Perhaps indicative of Thom Yorke's influences, instructions for "How to make a Dada poem" appeared on Radiohead's website at this time. To make a Dadaist poem: Take a newspaper. Take a pair of scissors. Choose an article as long as you are planning to make your poem. Cut out the article. Then cut out each of the words that make up this article and put them in a bag. Shake it gently. Then take out the scraps one after the other in the order in which they left the bag. Copy conscientiously. The poem will be like you. And here are you a writer, infinitely original and endowed with a sensibility that is charming though beyond the understanding of the vulgar. --Tristan Tzara

Benvenuta

Alla fine ho ceduto e ho preso i biglietti per la seconda giornata. Per una volta è un festival comodissimo per me. La tripletta Baustelle/Giorgio Poi/Colombre li vale eccome i miei 23 euro ... soprattutto per consolarmi dal non essere andato al tour nei teatri dei primi. Qualcun'altro pensa di andarci?

Credo che sia a causa di questa frase, presente nella descrizione della Boxed Edition: "Download codes inside the box for EVERYTHING." (Il maiuscolo l'hanno messo loro non io )

E intanto... Radiohead’s Jonny Greenwood scored a forthcoming Joaquin Phoenix movie titled You Were Never Really Here, The Playlist reports. Greenwood previously worked with the film’s director, Lynne Ramsay, on 2011’s We Need To Talk About Kevin. Ramsay is the only director that Greenwood has worked with aside from Paul Thomas Anderson. You Were Never Really Herepremieres at Cannes this month.