Sig.Bakke Posted July 14, 2014 Report Share Posted July 14, 2014 jonny è la seconda volta che lo dice, e in questo caso manca poco più di un mese... non credo menta Link to comment Share on other sites More sharing options...
@li Posted July 16, 2014 Report Share Posted July 16, 2014 new lyrics????Thom Yorke @thomyorke · 7hall that we want is this to be over we're shutting the hatches and freezing you outReplyReplied to 0 timesRetweetRetweeted 951 times951FavoriteFavorited 1,111 times1.1KMoreThom Yorke @thomyorke · 16hyour reputation your butterfly collectionReplyReplied to 0 timesRetweetRetweeted 959 times959FavoriteFavorited 1,042 times1KMore Link to comment Share on other sites More sharing options...
notlivingjustkillingtime Posted July 16, 2014 Report Share Posted July 16, 2014 Ricomincia la danza? Thom Yorke @thomyorke · 16hyour reputation your butterfly collection ( ) Link to comment Share on other sites More sharing options...
Lacatus Posted July 17, 2014 Author Report Share Posted July 17, 2014 new lyrics????Thom Yorke @thomyorke · 7hall that we want is this to be over we're shutting the hatches and freezing you outReplyReplied to 0 timesRetweetRetweeted 951 times951FavoriteFavorited 1,111 times1.1KMoreThom Yorke @thomyorke · 16hyour reputation your butterfly collectionReplyReplied to 0 timesRetweetRetweeted 959 times959FavoriteFavorited 1,042 times1KMoreIn questi anni avrà scritto tantissimo, immagino Link to comment Share on other sites More sharing options...
principles Posted July 17, 2014 Report Share Posted July 17, 2014 Si ricomincia ragazzi! Link to comment Share on other sites More sharing options...
@li Posted July 19, 2014 Report Share Posted July 19, 2014 Thom Yorke @thomyorke · 7hto make oneself vulnerableReplyReplied to 0 timesRetweetRetweeted 736 times736FavoriteFavorited 882 times882More Link to comment Share on other sites More sharing options...
LiveAirSpace Posted July 19, 2014 Report Share Posted July 19, 2014 Thom Yorke @thomyorke · 7hto make oneself vulnerablee se tutto ciò fossero solo citazioni dal libro che Thom sta leggendo sotto l'ombrellone?!?! Link to comment Share on other sites More sharing options...
clak Posted July 20, 2014 Report Share Posted July 20, 2014 e se tutto ciò fossero solo citazioni dal libro che Thom sta leggendo sotto l'ombrellone?!?!Ormai è inevitabile...prossimo anno tra marzo e novembre esce l album, e non vedo l ora porca puzzola!!!! Link to comment Share on other sites More sharing options...
Lacatus Posted July 20, 2014 Author Report Share Posted July 20, 2014 Ormai è inevitabile...prossimo anno tra marzo e novembre esce l album, e non vedo l ora porca puzzola!!!!2016E' ancora troppo presto per l'hype, amici. Link to comment Share on other sites More sharing options...
@li Posted July 21, 2014 Report Share Posted July 21, 2014 il fan dei radiohead per contratto deve essere pessimista, negativo e non mostrare entusiasmoma io sono una fan atipicahttp://consequenceofsound.net/2014/07/jonny-greenwood-says-hes-been-emailing-new-radiohead-songs-to-thom-yorke/yeeahhhhhiiiiI! Link to comment Share on other sites More sharing options...
Lacatus Posted July 21, 2014 Author Report Share Posted July 21, 2014 il fan dei radiohead per contratto deve essere pessimista, negativo e non mostrare entusiasmoma io sono una fan atipicahttp://consequenceof...-to-thom-yorke/yeeahhhhhiiiiI!Lasciate le chiavi a Jonny! Link to comment Share on other sites More sharing options...
@li Posted July 21, 2014 Report Share Posted July 21, 2014 Full interview:Ten minutes out of Didcot Parkway, in a leafy one-street town, sit the offices of the world’s biggest experimental glitch-rock band: Radiohead. Their awards — NME finger, MTV spaceman — clutter a corner cabinet, while shiny discs fill the walls for increasingly odd albums, from Pablo Honey (1993) to Kid A (2000) and beyond. They recorded The Bends in the basement. The band’s beanpole guitarist, Jonny Greenwood, is curled up on the sofa. He lives nearby, as he always has, and as bandmates such as Thom Yorke still do. Hundreds of magazine covers featuring the five-piece lie face up under the coffee table, and the whole place feels historic — like a museum to getting rich off ever-richer sounds.I had gone to Oxfordshire to talk to Greenwood about his classical work — on film scores, with the London Contemporary Orchestra (LCO), various attempts to sample the symphonies of Olivier Messiaen. But let’s shove the Radiohead elephant out of the room first.It has been three years since the last album. Is there a release date for the next? “No! Release? No, no idea. No,” he laughs. “Our plan is to start making music soon. We’ve just got to get the inertia back.” They have been in touch, though, sharing ideas. “I was emailing stuff to Thom last night, actually, but it’s not the same, is it? You don’t see him tutting.”Greenwood and Yorke are to Radiohead what Lennon and McCartney or Jagger and Richards are to bands that need no introduction: space-cadet duos with diverse interests who push each other, and pull their audiences along, too. They joined together at school 30 years ago and, over eight albums, have passed on to fans influences as esoteric as Autechre and Flying Lotus. Sigur Ros owe them a career. Such acts sit at the obscure end of pop, yet Greenwood’s passions are for the classical extremes, and his Spotify playlist includes Krzysztof Penderecki and Henri Dutilleux. He tells a “zinger” about performing “Steve Reich in the Afternoon”. He has weird tastes and wants to try everything.“I’m so on the edge of what I can actually do,” he says quietly, dark hair flopping over his pale face. “But that’s what I am. I’m a bluffer. When I first met Thom, he was like that as well. I remember seeing him play drums at school once, and he said, ‘Go and get a double bass. Just hit it, or whatever.’ Our approach is not to be all buttoned-up.”Hence the LCO, a young and experimental group of musicians, led by their artistic directors, Rob Ames and Hugh Brunt. The latter is also principal conductor. Earlier this year, I saw them play at the Wapping Project, a disused hydraulic power station in east London. The crowd stood. Greenwood and a small orchestra waited in a back room. Nobody wore a suit, and most of the men had beards. We nodded along to pieces — Xenakis, new Greenwood compositions, the score for the 2010 film Norwegian Wood — that we barely knew. It was exciting and fun. More shows are planned, and nobody shouted for Creep.“My previous experience of live classical music was that you hand in the running order for the programme notes six months ahead of time,” says Greenwood, who has also written for the BBC Concert Orchestra and the London Sinfonietta. “But this felt more like a gig. People were coming and going.” When Radiohead tour, he spends evenings off watching “strange orchestras”. He sees classical music as alive, not stuck on discs from decades ago. At one point at the LCO show, we downloaded an app that pinged when pressed and meshed with the sounds from the makeshift stage. Is such freedom only possible away from the day job? He shakes his head. “Radiohead have always tried out things that have been semi-ridiculous, and semi-successful. They’d be up for anything.”Greenwood was born in 1971. He met Yorke through his older brother, Colin — who plays bass in Radiohead — and went on to sell out stadiums with music best described as “difficult”. He is humble, as unused to talking about himself as anyone would be having happily played second fiddle to a lippy front man. But he loosens up when the tape is off, riffing on pronunciation and how the buzz of this paper’s World Cup scoops must have felt much like he and the band did “when we released that album [in Rainbows] free”. Whenever I try to compliment him, though, he diverts it back to Yorke. “Thom just devours music,” he says in wonder. “It’s crazy.”To try to give Greenwood his due, I email Brunt at the LCO. The guitarist has raised the orchestra’s profile, and I wonder what he has been like to work with. Radiohead are hardly the Mötley Crüe of the Thames Valley, but, you know, rock stars… “We’ve all been struck by his intense curiosity in the rehearsals,” Brunt replies, as I imagine TVs being sucked back up into hotel windows. “He’s fascinated in drawing new timbres from instruments.” At one point, Greenwood talks to me excitedly about “modes of limited transposition”. At another, he goes wide-eyed about acquiring his first ondes martenot. “It turned up in a box, and I had no idea what was going to be inside. What could be more exciting?”He was 15 when a teacher played him Messiaen’s Turangalîla-Symphonie; at the time, he was listening to Magazine, the Fall and the Smiths, but Messiaen sounded like “two orchestras playing different things”. He became obsessed. “He was alive then, as well, and for some reason that was a big deal for me. To think, ‘OK, he’s alive in the same way Mark E Smith is alive, making records.’ I didn’t think of any of them as better or worse. I just thought, ‘I want all of this stuff.’”The strings in How to Disappear Completely and Codex, some “badly played viola” on The Tourist, the recorders on The Bends (Greenwood played in recorder groups until he was 17) — it’s not hard to spot classical inspirations in Radiohead, but despite what some think of the band’s output since 2000, the lead guitarist says songs always come first. “You can’t shoehorn microtonal string music into a beautiful song,” he shrugs. “So Thom plays Pyramid Song at a piano, and it’s already amazing. What do you do?” Solo work? He nods.Paul Thomas Anderson’s film There Will Be Blood opens with barren mountains and what sounds like a swarm of bees. It’s Greenwood’s “microtonal string music”, and it unsettles before, for six minutes, we watch Daniel Day-Lewis prospecting for oil. The opening ends with the same mountains, noise and weirdness. The duo’s second collaboration — The Master — is even stranger. Rolling Stone says Greenwood is “redefining what is possible in film scores”, but I don’t expect him to agree when I tell him so. “Paul just has his music very loud in his films,” he says. “It’s a dream job for a composer. I was sending him music that was too long, and he was extending the scenes to fit the music. Which is insanity.”Next month, There Will Be Blood is being screened at London’s Roundhouse, with a live score by the LCO. Bring an expanded mind. Next year, Inherent Vice — the third film this quietly eccentric duo have made — hits cinemas. How does it work? “Back and forth for months,” Greenwood says. He misses it when they don’t work together. The new film is based on a Thomas Pynchon novel. “I was sending him this 1960s pop thing I did, because the film is set then, asking, ‘Is this of any use?’ Then I flood him with different approaches until we find the right one.” One bonus is that he gets to see eagerly anticipated cult films early. “Inherent Vice is funny,” he says. “But there’s a strange, dark seriousness going on throughout.”Which, neatly, brings us back to Radiohead. I ask how, when he has scores, the LCO and a new album to think about, he works out which music fits where. He says he doesn’t know, but has lots of “stupid instruments”, so is unlikely to run out of ideas. But eventually, he says: “I want all of it to be in Radiohead, really.” He brings up Yorke again. Questions about the band are meant to be difficult, ones he’s asked all the time and is bored answering. But it’s what he talks about most freely, happy for the spotlight to shift. “Radiohead’s still the thing I’m most excited about,” he says sweetly. “But with time off, this is what I want to do.” Link to comment Share on other sites More sharing options...
Lacatus Posted July 21, 2014 Author Report Share Posted July 21, 2014 E' passato abbastanza tempo dalla fine dell'era Amok?Sì.E allora rallegratevi scatters perché questa gemma, che si credeva fosse una possibile b-side degli Atoms For Peace, a sto punto se la cuccano i Radiohead!https://www.youtube....d&v=aiPA2e0RmSIPS vi ricordo che nella prima pagina di questo thread si trova la lista dei brani non pubblicati (e quindi papabili per l'LP9), fra i quali ho incluso suddetta gemma col titolo "Thom & Nigel @Transmission L.A. Song" (quale sarà il titolo vero? "In The Future"?) Link to comment Share on other sites More sharing options...
Mr. Wolf Posted July 21, 2014 Report Share Posted July 21, 2014 Esce a fine 2015 e avrà 6 pezzi. Link to comment Share on other sites More sharing options...
Sexbeatles Posted July 21, 2014 Report Share Posted July 21, 2014 2016E' ancora troppo presto per l'hype, amici.Ma non è mai troppo tardi per un IMS MENOO Link to comment Share on other sites More sharing options...
clak Posted July 21, 2014 Report Share Posted July 21, 2014 Secondo me i rh se si lasciano scappare mezza news significa che l hanno già messa im pratica. Sono animali che soffrono e evitano la pressione mediatica, e per evitarla la soluzione migliore è quella di giocare d anticipo... Quindi ribadisco tra marzo e novembre 2015 Link to comment Share on other sites More sharing options...
clak Posted July 21, 2014 Report Share Posted July 21, 2014 Se tutto va bene hanno già registrato... Link to comment Share on other sites More sharing options...
modifiedbear Posted July 21, 2014 Report Share Posted July 21, 2014 18 giugno 2015 Link to comment Share on other sites More sharing options...
Lacatus Posted July 21, 2014 Author Report Share Posted July 21, 2014 Esce a fine 2015 e avrà 6 pezzi.Vero.Basterebbe si limitassero a pubblicare queste 6 per ritirarsi da campioni del mondo in carica:Burn The WitchOpen The FloodgatesIdentikitWake Me Before They ComeI Froze UpThe Present TensePS ho già pronto un sondaggione per quando salirà l'hype...tra un annetto... ma adesso lasciatemi girare le spiagge al suono di Unknown Mortal Orchestra, The Wake e Matia Bazar... ci sarà tempo per la paranoia... Link to comment Share on other sites More sharing options...
@li Posted July 21, 2014 Report Share Posted July 21, 2014 Secondo me i rh se si lasciano scappare mezza news significa che l hanno già messa im pratica. Sono animali che soffrono e evitano la pressione mediatica, e per evitarla la soluzione migliore è quella di giocare d anticipo... Quindi ribadisco tra marzo e novembre 2015stesso mio pensierogia' registrato credo sia impossibile fisicamente visto che erano sparsi per il globo e affacendati in varie robe ma secondo me ci sono idee e sono tante quindi a meno di un blocco creativo mi aspetto faville quando si metteranno davvero al lavoro. Anche io mi aspetto cenni di vita nel corso del 2015 (nn so bene se un disco o delle date di "pre-riscaldamento")....Ho come la sensazione abbiano tutti una gran voglia di tornare a suonare insieme. Link to comment Share on other sites More sharing options...
clak Posted July 21, 2014 Report Share Posted July 21, 2014 Che non scappi il doppi sto giro! Link to comment Share on other sites More sharing options...
frasky Posted July 21, 2014 Report Share Posted July 21, 2014 Vero.Basterebbe si limitassero a pubblicare queste 6 per ritirarsi da campioni del mondo in carica:Burn The WitchOpen The FloodgatesIdentikitWake Me Before They ComeI Froze UpThe Present TensePS ho già pronto un sondaggione per quando salirà l'hype...tra un annetto... ma adesso lasciatemi girare le spiagge al suono di Unknown Mortal Orchestra, The Wake e Matia Bazar... ci sarà tempo per la paranoia...e Skirting on the surface? e Full Stop? e Cut a hole? dove le mettiamo? io le ho molto apprezzate e non vedo perché non possano trovare un posto! Link to comment Share on other sites More sharing options...
@li Posted July 22, 2014 Report Share Posted July 22, 2014 http://consequenceofsound.net/2014/07/hear-12-potential-songs-for-radioheads-new-album/ Link to comment Share on other sites More sharing options...
Mr. Wolf Posted July 22, 2014 Report Share Posted July 22, 2014 Sì, ho letto anche io che ci sono almeno 12 composizioni che potrebbero finire nel nuovo disco: ma sappiamo anche quanto loro amino complicarsi la vita, sicuramente stanno lavorando a del nuovo materiale. Link to comment Share on other sites More sharing options...
AHAA Posted July 22, 2014 Report Share Posted July 22, 2014 io spero che di quella lista nel LP9 ne finiscano meno possibili. E se ci finiscono almeno spero con un vestito completamente nuovo. Link to comment Share on other sites More sharing options...
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